THUNDERBOLTS*

7.1/10

Yelena Belova, Bucky Barnes, Red Guardian, Ghost, Taskmaster, and U.S. Agent are brought together for a dangerous covert mission orchestrated by Valentina Allegra de Fontaine. When their operation goes horribly wrong, the unlikely team discovers they have been manipulated into confronting a powerful new threat. Trapped with nowhere to turn, these damaged antiheroes must overcome their differences, confront their troubled pasts, and unite to prevent a catastrophic event.

CAST & CREW

FLORENCE PUGH

YELENA BOLOVA

SEBASTIAN STAN

BUCKY BARNES

JULIA LOUIS-DREYFUS

VALENTINA ALLEGRA DE FONTAINE

LEWIS PULLMAN

ROBERT REYNOLDS

DAVID HARBOUR

ALEXEI SHOSTAKOV

WYATT RUSSELL

JOHN WALKER

HANNAH JOHN-KAMEN

AVA STARR

OLGA KURYLENKO

ANTONIA DREYKOV

GERALDINE VISWANATHAN

MEL

WENDELL PIERCE

CONGRESSMAN GARY

CHRIS BAUER

HOLT

JAKE SCHREIER

DIRECTOR

ERIC PEARSON

SCREENPLAY

JOANNA CALO

SCREENPLAY

ERIC PEARSON

STORY

KEVIN FEIGE, p.g.a.

PRODUCER

LOUIS D'ESPOSITO

EXECUTIVE PRODUCER

BRIAN CHAPEK

EXECUTIVE PRODUCER

JASON TAMEZ

EXECUTIVE PRODUCER

DAVID J. GRANT

CO-PRODUCER

ALLANA WILLIAMS

CO-PRODUCER

ANDREW DROZ PALERMO, ASC

DIRECTOR OF PHOTOGRAPHY

GRACE YUN

PRODUCTION DESIGNER

ANGELA CATANZARO, A.C.E.

EDITOR

HARRY YOON, A.C.E.

EDITOR

SANJA HAYS

COSTUME DESIGNER

JAKE MORRISON

VISUAL EFFECTS SUPERVISOR

BRYAN SEARING

VISUAL EFFECTS PRODUCER

SON LUX

MUSIC

DAVE JORDAN

MUSIC SUPERVISOR

SARAH HALLEY FINN, C.S.A.

CASTING

SYNOPSIS

Still struggling with the death of her sister Natasha Romanoff, Yelena Belova continues working as the personal enforcer for CIA director Valentina Allegra de Fontaine. After infiltrating an O.X.E. research facility in Kuala Lumpur, Yelena destroys evidence linking de Fontaine to Project Sentry, a secret program designed to artificially create superhumans. Although Yelena begins questioning whether her work has any meaning, she accepts another assignment from de Fontaine.

Meanwhile, Bucky Barnes has entered Congress and is working to impeach de Fontaine over her alleged involvement with O.X.E. and its illegal experiments. De Fontaine denies everything and orders her employees to destroy any remaining evidence. In Washington, Yelena visits her adoptive father, Alexei Shostakov, who now operates a limousine service. She confides that she feels lost without Natasha and questions whether she should continue working for de Fontaine. Alexei encourages her to find a purpose beyond simply following orders.

Yelena’s next mission takes her to an O.X.E. vault in Utah, where she encounters Ghost, U.S. Agent, and Taskmaster. Each operative has been sent there for a different assignment, but their confrontation quickly becomes a deadly free-for-all. Ghost kills Taskmaster, while a mysterious, amnesiac man named Bob Reynolds becomes trapped inside the facility. As the operatives attempt to escape, they realize they have all been deliberately sealed inside the vault so de Fontaine can eliminate them and erase evidence of her involvement with Project Sentry.

The group narrowly survives an attempt to incinerate them, but Yelena experiences a disturbing vision of her past after touching Bob. As they make their way to the surface, Bob reveals his deep feelings of worthlessness, while Yelena admits that she has spent much of her life suppressing her own pain. De Fontaine and her assistant, Mel, discover that Bob is actually Robert Reynolds—the sole surviving test subject of Project Sentry.

When O.X.E.’s strike team arrives, Yelena, U.S. Agent, Ghost, and Bob fight their way out of the facility. Bob unexpectedly demonstrates incredible powers, surviving a barrage of gunfire before taking flight and crashing back to Earth. After escaping with the Project Sentry documents, the group is rescued by Alexei, who arrives in his limousine. During their escape, Yelena jokingly refers to the unlikely group as the “Thunderbolts.”

Bucky eventually tracks them down and detains the group, intending to use their testimony against de Fontaine. Meanwhile, O.X.E. takes Bob to the Watchtower, formerly Avengers Tower. De Fontaine manipulates him into becoming the superhero Sentry, hoping to use his powers to prove her innocence and eliminate anyone who threatens her position. When the Thunderbolts confront her, she unveils Sentry as Earth’s newest superhuman champion and orders him to destroy them.

The Thunderbolts are completely overwhelmed by Sentry’s abilities. However, Sentry eventually turns against de Fontaine, recognizing that she intends to control him. Before he can stop her, Mel activates a kill switch that causes Sentry to collapse. Bob awakens moments later, but something far more terrifying emerges: the Void, a dark manifestation of his trauma and destructive power.

Overwhelmed by the threat, the Thunderbolts initially retreat. Yelena becomes consumed by guilt and believes the team has failed. Alexei reminds her that her value comes from giving others someone they can depend on, just as she once did on her childhood soccer team. When the Void begins consuming New York City in darkness, the Thunderbolts return to save civilians. Yelena deliberately enters the Void to confront Bob and the trauma buried within him.

Inside the Void, Yelena is forced to confront painful memories from her childhood and her struggles with guilt. She eventually finds Bob inside a distorted recreation of his childhood bedroom and realizes that the Void is feeding on his feelings of worthlessness. Yelena encourages Bob to confront the abuse and suffering that shaped him rather than allowing his trauma to control him.

The other Thunderbolts eventually join them. Bob confronts the Void in a manifestation of the laboratory where he was experimented on, but the Void overwhelms him and attempts to consume him completely. Rather than abandoning Bob, the Thunderbolts remind him that he has value and that he does not have to face his pain alone. Their support allows Bob to regain control and reverse the Void’s destruction, restoring New York City.

The Thunderbolts then confront de Fontaine, but she quickly attempts to save herself by manipulating the situation. At a hastily arranged press conference, she claims the group was secretly assembled under her authority to protect the United States and publicly announces them as the “New Avengers.” Although Yelena knows de Fontaine is lying, the team accepts the opportunity to hold her accountable from within the organization.

With Bob temporarily sidelined because of the danger of unleashing the Void, the newly christened New Avengers become public heroes. Alexei enthusiastically attempts to capitalize on their newfound fame, even promoting merchandise featuring the team.

Fourteen months later, the New Avengers face an unexpected legal dispute with Sam Wilson over their use of the Avengers name. As the team debates changing its name, they receive an alarming signal from space. An enormous extra-dimensional spacecraft approaches Earth, bearing a mysterious emblem featuring the number “4”.

REVIEW

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LEGACY

THUNDERBOLTS (2025) is one of Marvel Studios’ more refreshing recent entries, replacing the traditional superhero team formula with a story centered on damaged people searching for purpose. Directed by Jake Schreier, the film brings together Yelena Belova, John Walker, Ghost, Red Guardian, Taskmaster, and Bob Reynolds for a dangerous mission that quickly spirals out of control. What begins as a government conspiracy involving Project Sentry ultimately becomes a story about trauma, grief, self-worth, and redemption. Although the plot follows familiar superhero conventions, its emphasis on flawed characters gives the film a distinctive identity.

The film’s greatest strength is its characterization and emotional themes. Yelena’s struggle with Natasha Romanoff’s death provides the story with an effective emotional foundation, while Bob’s battle with his own feelings of worthlessness gives the conflict greater psychological depth. The Thunderbolts are united not because they are traditional heroes, but because each character feels isolated, damaged, or misunderstood. The film’s central message—that people can overcome trauma by accepting their imperfections and allowing others to help them—is surprisingly sincere for a superhero blockbuster.

The ensemble cast is another major highlight. Florence Pugh delivers an outstanding performance as Yelena, balancing sarcastic humor with grief, vulnerability, and emotional intensity. Lewis Pullman gives Bob Reynolds a compelling mixture of awkwardness, insecurity, and frightening instability, while David Harbour provides much of the film’s comedy without sacrificing Alexei’s emotional dimension. Wyatt Russell and the rest of the ensemble also benefit from strong chemistry. Their constant clashes gradually develop into genuine camaraderie, making the team’s eventual transformation into a dysfunctional family feel earned. The dialogue is similarly effective, particularly during the team’s banter and quieter emotional exchanges.

Visually, THUNDERBOLTS maintains a darker and more atmospheric identity than many conventional MCU adventures. The cinematography makes particularly effective use of shadows, contrasting environments, and surreal imagery during the Void sequences. The editing keeps the large ensemble moving at an energetic pace while allowing the character-driven moments room to breathe, and the soundtrack complements the film’s melancholy and psychological atmosphere. Schreier’s direction is perhaps the most important factor holding everything together, successfully shifting between comedy, action, emotional drama, and psychological horror without completely losing the film’s tonal identity.

Ultimately, THUNDERBOLTS succeeds because it understands that its characters are more interesting than the superhero spectacle surrounding them. The familiar conspiracy storyline and conventional climactic battle prevent it from being truly groundbreaking, but the film compensates with strong performances, meaningful themes, entertaining dialogue, and an unusually sympathetic portrayal of damaged characters. Its introduction of the New Avengers also gives it considerable importance within the MCU’s evolving storyline. Overall, THUNDERBOLTS is an emotionally resonant, entertaining, and character-focused Marvel film.

BOX OFFICE

ESTIMATED BUDGET
$ 0 MILLION
DOMESTIC BOX OFFICE
$ 0
INTERNATIONAL BOX OFFICE
$ 0
WORLDWIDE BOX OFFICE
$ 0

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